![]() ![]() On the positive side, series two finally presents some much-needed conflict between the main characters, a welcome change to the Brady Bunch-brothel feel of series one. And that's just in the first two episodes of this second series. ![]() We have the violent "client" with a schoolgirl fetish, the ageing alcoholic artist who wants to sleep with his dead friend's daughter, the rich barrister with three kids who likes to do sexy time on his wife's appliances, and the guy who makes a girl neigh like a horse. ![]() I may have been the instigator of many an "all men are bastards" rant in my time, but even in my drunkest, darkest place, I've never made them out to be the scumbags that Satisfaction does. Bea, Lizzie and even pathetic little Dor would have had the heads of this bunch under the industrial ironing machine the minute they stepped through the doors of the Wentworth Detention Centre.Īnd it's not just the female characters who are uninteresting. The Satisfaction characters in both series are one-dimensional, unlikeable, and I just don't care about them. This is gonna be the next Prisoner!"īut despite the talented cast, it hasn't delivered. "A show with lots of roles for local actresses that doesn't involve them mustering in a full face of make-up or wearing a wig, holding a suitcase and standing next to Andrew O'Keefe. When I first heard that Satisfaction was going into production, I was excited. That would be perfectly fine if I was a 16-old-boy at home watching Foxtel (I initially thought it was a joke when I saw that the production company is called Lone Hand Productions), but I need more! I need storylines! I need characters to love! I need a weird-looking-yet-cute-guy-who-never-gets-the-girl-but-gets-all-the-good-lines to obsess over and make my screensaver! (Although I concede it should be a lot easier to get the girl in this show.) ![]()
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